A.I. Artificial Intelligence (2001) (creator)

Eyes Wide Shut (1999) (also co-screenwriter, producer)

Full Metal Jacket (1987) (also co-screenwriter, producer)

The Shining (1980) (also co-screenwriter, producer)

Barry Lyndon (1975) (also screenwriter, producer)

• Best Director — National Board of Review, British Academy Award
• Best Picture (producer) — National Board of Review

A Clockwork Orange (1971) (also screenwriter, producer)

• Best Director — New York Film Critics
• Best Picture (producer) — New York Film Critics

2001: A Space Odyssey (1968) (also co-screenwriter, producer, special effects)

• Best Special Visual Effects — Academy Award^®

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) (also co-screenwriter, producer)

• Best Director — New York Film Critics

Lolita (1962) (also co-screenwriter [uncredited])

Spartacus (1960)

Paths of Glory (1957) (also co-screenwriter)

The Killing (1956) (also screenwriter)

Killer’s Kiss (1955) (also screenwriter, cinematographer, editor, co-producer)

The Seafarers (1953) (also cinematographer)

Fear and Desire (1953) (also cinematographer, editor, producer)

Flying Padre (1951) (also screenwriter, cinematographer, producer)

Day of the Fight (1950) (also screenwriter, cinematographer, producer)

*****

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